摘要
阿城“三王”系列小说塑造了文革时代的“奇人”形象,并有意识地将道家哲学思想、人生观、价值观设置为人物精神结构的核心要素,以使他们的人生追求与道家文化建立一种亲和的承继关系。这种叙述策略是为了对“欲望”进行重新叙述和话语转移,深层目的在于引导人们对“欲望”的选择和追求。同时,批评家们从现代意识、精神等角度对阿城小说及其“奇人”形象作出多种不同的阐释,主流看法是肯定和承认道家话语的合法性,从此可以看出欲望话语在当代激烈交锋并开始调整的真实面目,而道家话语的当代意义也随之呈现出来。
In his fiction series of “Three Kings”, Acheng moulds “peculiar person” images of the ages of CulturalRevolution, establishing consciously the Taoist philosophy thought, life outlook and value view to the kernel of thecharacters’ spiritual structure, and making their life pursuit a kind of close inheritable relation with the Taoist culture.Such narrative tactics is for narrating human desires afresh and transferring people’s desires via discourses, its deepaim is to guide people to the choice and pursuit of desires. At the same time, the critics give various differentexplanations to Acheng’s fiction and its “peculiar person” images from the angles of modern consciousness, spirit...etc. The most prevailing viewpoint is affirming and admitting the legitimacy of the Taoist discourse. Through these,we can find the truth of intense confrontation and adjustment in the contemporary desire discourse, thus the contem-porary significance of the Taoist discourse is brought out.
出处
《广东外语外贸大学学报》
2005年第3期41-44,共4页
Journal of Guangdong University of Foreign Studies
关键词
阿城
道家文化
欲望
叙述
Acheng
Taoist culture
desire
narration