20世纪钢琴作品中的敲击性音色初探

On the Knock-Timbre in Piano Works in 20^(th) Century

文章通过对20世纪钢琴作品中敲击性音色的成因进行思考,同时对钢琴两种音色特性的分析,得出敲击性音色多元性的结论,这种多元性的结论为20世纪钢琴演奏做出了理论铺垫。

Through considering the cause of formation of the knock-timbre in piano works in 20th century, the article compared two different timbre features of the piano, and got the conclusion of knock-timbre multiformity, which as writer's opinion was the theatrical base of the piano performance in 20 th century.