摘要
乐律学是研究律制构成与应用的科学,是中国独有的、专门研究音乐中音高规范的一门艰深的音乐基础理论。20世纪下半叶以来,乐律学界的学者们力求将乐律学置于历史的、社会的大背景下加以考察,以更加广阔的视野审视中国音乐文化的发展。这一研究视角转变的直接体现,便是对新兴研究领域的开拓和对原有研究领域的进一步深化、细化,并取得了一大批令人瞩目的成果。
The study of musical temperament is a science to research the composing and application of the temperament system, which is an abstruse basic music theory only in China. The scholars have been trying to review the study of musical temperament in the historical and societal background since the latter half of the20th century, to survey the development of Chinese musical culture with the wider eyeshot. The direct result of changing research visual angle is to open a new studying field and deepen the original one, and obtain a number of conspicuous achievement.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2005年第3期75-79,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
当代
中国
乐律学
contemporary, China, study of musical temperament