摘要
拉赫玛尼诺夫艺术歌曲中的钢琴在其整体构成中有着非常特殊的意义。钢琴的写作显示出造型、动机、复调、独立、钢琴化等特点,又具有强化补足和深层揭示两大功能,使钢琴与人声的关系更多的显示出主导性,从而使我们将其定位为“声部”。
That the piano part in Rachmaninoff's art songs were significance to the whole structure. The piano part in his songs not only appeared the features of motive, counterpoint, individual and pianism, and also have two major functions: strengthening complement and deeply unveiled that showed the piano dominated position in the relationship with human voice, thereby it named as voice or part.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2005年第3期122-128,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
拉赫玛尼诺夫
艺术歌曲
写作特点
功能
定位
Sergei Vassilievitch Rachmaninoff (1873-1943), art songs, features of composition, function, evaluation