摘要
贵州民间芦笙,是具有深厚文化传统的一个乐种。半个多世纪以来,在芦笙乐器改革和乐曲创作方面,都取得了很好的成绩,促进了芦笙乐的变革——推动着民间芦笙由传统的社会功用型,向现代音乐表演型的发展。但,从中也折射出在主导思想与艺术观念上,不同程度地存在着特色淡化,趋向雷同的倾向,其焦点是如何对待“传统”的问题。文章就此进行了探讨分析。
Guizhou folk lushengis a musical instrument with solid cultural tradition. For more than half a century, great achievements have been made in the reformation of the instrument and musical creation. This accelerates the evolutionof lushengmusic. And it promotes the development from traditional social function into modern musical performance. But in the leading thinking and artistic idea,to some extent,problems are reflected-Characteristics are weakened and tendenciesbecome similar. The focus is how to deal with “tradition”. This is what the paper discusses and tries to analyze.
出处
《贵州大学学报(艺术版)》
2005年第2期17-19,42,共4页
Journal of Guizhou University Art Edition
关键词
芦笙乐
变革
传统
lushengmusic
evolution
tradition