摘要
钢琴即兴伴奏是一种具有创作思维的音乐表现形式,配弹效果的优劣是由配弹的理论修养、弹奏技能、经验积累等方面的因素所决定的。要想真正地掌握这项技能,应该建立综合训练的意识,从钢琴弹奏技巧、和声布局、织体运用、音区的分配、低音声部的设计和伴奏的实践等方面去加以把握。
The improvisational accompaniment of the piano is a musical expressive form of creational thoughts. The stand or fall of the effect of playing the piano is decided upon by the elements of the theoreticalaccomplishment, playing techniques and accumulation of experience. To master the very technique, we should establish the consciousness of comprehensive training, concerning about the playing techniques, the arrangement of harmonic, theutilizing of texture, the distribution of voice range, the design of the bass part and the practice of accompaniment.
出处
《贵州大学学报(艺术版)》
2005年第2期37-42,共6页
Journal of Guizhou University Art Edition
关键词
钢琴
和声
织体
音区
低音设计
首调观念
结构布局
伴奏实践
the piano
harmony
texture
musical range
bass part designing
idea of the first tone
structure arrangement
accompaniment practice