中西绘画中“势”的探究

An Exploration of “Shi” in Chinese Painting Theory

“势”是中国绘画的一个重要范畴,造势是克服静态画面的有效手段,强调以静写动,动静结合,创造出富有运动感的动势。对于造势,创造画面的运动感,书画皆有相通之处。而“势”在实质上不仅是联系画面中点、线、面的纽带,更是情感的载体,心灵的感应。

“Shi” (potential ortendencyin a painting) is a category of traditional Chinese painting. Building an atmospherein painting is an effective method to get over a staticpicture. It emphasizes to paint a motional picture in a still way, and when the motion and the still are banded together, a stirring potentialfull ofa sense of movement is created. Calligraphy and painting are identical in building atmosphere to create sensesof movement. “Shi”, essentially, is not only a band of the dot, line and surface ina painting, but also an emotional carrier and mental telepathy.