摘要
中国山水画的意境是画家的感悟和追求,其特点是画家在"师古、师造化"的过程中将人文精神转化为艺术境象画之境是谓人之境。中国画之所以成为国粹,是与其无处不散发着东方情怀的宁静而深远的意境分不开的, 画家"借景抒情"以至"情景交融"而引人入胜。
The artistic conception of Chinese landscape painting is the painter'sthoughts and pursuit; the characteristic of which is the painter translates the humanism spirit into artistic conception during the course of his 'learning from the ancients and the nature'. That Chinese painting becomes the quintessence of our country has close relations with the eastern feelings of its tranquil and far-reaching artistic conception; the painter expressing his emotion through the scenery; the feeling blending the scenery; it is the very quality of which fascinates the viewers.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2005年第3期29-30,共2页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
意境
山水
虚静
artistic conception
landscape
still