摘要
良渚文化玉礼器上雕刻的"神徽"表现的是中国古代艺术里面一个赓续出现的重要母题,即巫师借助于动物伙伴以达到通天目的的人兽母题。在良渚文化之后,商代美术中也出现了较多的人兽母题,表现了商代文明对于良渚文化宗教巫术的继承与发展。
The'divine badge'carved in the ceremonial jade articles of the LiangZhu Culture expressed an important motif which appeared again and again in Chinese ancient art;that is; the koradji can have an access to the heaven by recurring to the animal companions. After the LiangZhu Culture; the fine arts of Shan Dynasty also appeared many man-beast motives;which showed the civilization of Shan Dynasty inherited and developed the religious sorcery of the LiangZhu Culture.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2005年第3期71-73,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
良渚文化
神徽
人兽母题
the LiangZhu Culture
the divine badge
man-beast motif