摘要
唐代司空图“韵味”说的提出,解决了诗歌的表层题材和深层意味之间的关系问题。“韵味”说把诗歌分成了韵、味和致、旨两个层次,韵味的实现要求诗人在进行创作时努力追求诗歌的“醇美”,接受者在阅读诗歌时要发挥主观能动性,充分地领悟和创造,韵味的实现是作者和读者共同努力的结果。
The relation of the subject matter and the deeply idea has not well solved until Si Kongtu's bringing forward the rhyme theory in Tang Dynasty. In the theory, Si Kongtu divided the poem into two lays: rhyme and meaning, implied intention and imagnation. The poet was requested to pursue the aesthetics when writing a poem, while the readers are requested to exert the subjectivity to appreciate. The rhyme achieving is the result of both the poet and the readers' endeavor.
出处
《南都学坛(南阳师范学院人文社会科学学报)》
2005年第4期68-70,共3页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
关键词
司空图
韵味
接受美学
Si Kongtu
rhyme
acceptance aesthetics