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论丹·布朗的小说艺术 被引量:8

On Creative Techniques in Dan Brown’s Novels
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摘要 丹·布朗在小说创作实践中,大胆借鉴影视手法,将特有的小说模式、叙事手法与影视剪辑的闪回技巧完美结合,为小说创作树立了一个成功的范例,建成了具有鲜明个人特色的小说城堡。 In his creation of novels, Dan Brown, by drawing on the experience of cinema and broadcast TV, combines the formulas and narratives of the novels with the techniques of flashbacks, thus setting up a successful model for creation of novels, and also distinctive fictional castle of his own.
作者 付慧
出处 《上海大学学报(社会科学版)》 CSSCI 北大核心 2005年第4期47-50,共4页 Journal of Shanghai University(Social Sciences Edition)
关键词 模式 叙事手法 闪回 小说美学 <Keyword>formula narrative techniques flashback aesthetics of fiction
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参考文献5

  • 1Gary Storhoff. "Aggravating the Reader" : The Harlem Detective Novels of Chester Himes [A]. Ferome Delamater and Ruth Prigozy. The Detective in American Fiction, Film, and Television[C]. London: Greenwood Press, 1998. 51.
  • 2朱振武.数字城堡·译者序[M].北京:人民文学出版社,2004,3..
  • 3丹·布朗.达·芬奇密码[M].上海:上海人民出版社,2004.422.
  • 4Fredric Jameson. The Political Unconscious: Narratives as a Socially Symbolic Act [M]. New York: Cornell University Press, 1981.21.
  • 5朱振武,周元晓.《达·芬奇密码》:雅俗合流的成功范例[J].当代外国文学,2004,25(4):103-110. 被引量:36

二级参考文献15

  • 1王松林.论美国后现代主义小说的两大走向[J].外国文学研究,2004,26(1):91-97. 被引量:17
  • 2Darrel Bock, Breaking The Da Vinci Code, Nashville, Tennessee. Thomas Nelson, Inc. 2004, p.45.
  • 3Malcolm Bradbury, The Modern American Novel,Oxford. OUP, 1992, p. 209.
  • 4John Barth, The Friday Book. Essays on the Nonfiction, Baltimore. The Johns Hopkins University Press, 1984, p. 203.
  • 5Dan Brown, The Da Vinci Code, New York. Doubleday Press, 2003.
  • 6Janet Maslin, '" Spinning a Thriller From the Louvre" ,in New York Times, March 17, 2003.
  • 7Randall Stevenson, Modernist Fiction, New York. Harvester Wheatsheaf, 1992, p. 196,p. 1.
  • 8Niall Lucy, Postmodern Literary Theory. An Introduction, Massachusetts . Blackwell Publishers,1997, p. IX.
  • 9康慨.《〈达·芬奇密码〉现象》[N].《中华读书报》,2004年1月12日.
  • 10王守仁.《<英美通俗小说概述>序》[A].见黄禄善.《英美通俗小说概述》[C].上海:上海大学出版社,1997年..

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引证文献8

二级引证文献6

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