“意淫”观和《红楼梦》性描写的以诗写小说本质

The View of "Lasciviousness of Intention" and the Essenceof poem-written novel of sex description in Dream of the Red Chamber

目前对“意淫”观的研究主要从思想、哲学角度入手,而对其文学价值的分析还远远不够。文章着重梳理了文学史上性描写由《高唐赋》、《神女赋》所开创的诗化传统向《金瓶梅》等小说所代表的世俗化倾向过渡的轨迹,凸显《红楼梦》面对以上两种“文学遗产”所作抉择的特点和意义,提出“意淫”观使《红楼梦》性描写诗意化、象征化,而悬置了其中的性内涵,其本质上是以诗法作小说。

The present study on the view of 'subjective lasciviousness' mainly proceeds with thought and philosophical angle. While the analysis of its literary value is still far from enough. This article has combed the literary trail of sex description in the literary history with The Ode of Gaotang and The Ode of Goddess as the invention of the poeticized tradition and the representative works, such as The.Plum.In.The.Golden.Vase as the transition towards the secularization as well as given prominence to the feature and meaning of the choice made the novel Dream of the Red Chamber while facing the two kinds of 'literary heritages ' above. The idea is also put forward in the article that the view of 'subjective lasciviousness' has made the sex description in Dream of the Red Chamber poeticized and signified while hanging its sex intension. It in essence makes the novel with the poem law.