李安纲“《西游记》文化研究”之学术质疑

The Critique on Li Angang's Cultural Research of 《Monkey King》

20世纪90年代《西游记》研究中压倒性的声音来自于李安纲。经过李安纲的精心包装,以“金丹大道”为核心的、试图将《西游记》证明成“证道书”的“《西游记》文化研究”带来了一系列眼花缭乱的论题和无数似是而非的成果。但这些称为“文化”的研究,其实是建立在毫无实证性可言的自我想象的基础上;而掩盖在阴阳、八卦、五行、生克等等之下的巧合附会、移花接木、信口开河、随意编造之类的所谓研究方法,则根本就是对学术的戏弄。

In the 1990's, the overwhelming voice of the research on 《Monkey King》 was from Li Angang. His well decorated Cultural Research of 《 Monkey King》, which was concentrated around the 'Jindan Tao', argued that 《Monkey King》was a book for proof of the Tao and this brought forth a sequence of dazzling topics and numerous specious results. However, these so-called cultural results are in fact based totally on hisown imagination, are not testable at all; the so-called research methods, which ware concealed under Yinyang, Bagua, Wuxing and Shengke etc by grafting one twig on another, are merely his tease of the science.