摘要
在本雅明的艺术思想中,有着对读者接受层面的独特认识和强调。他把作品的写作者、接受者纳入统一的阅读活动中,让接受者转化为写作的合作者,消费者转化为生产者,共同进入艺术生产的流程之中,从而形成了独特的接受理论。在20世纪以前的整个西方文论基本忽略对读者接受研究的情况下,他的这一理论开启了西方文论中读者研究的先声。
There are some unique understanding and emphasis on readers’ acceptance level in Benjamin’s artistic thought. He makes the writer and acceptor into a unified reading activity, which transfers acceptor into cooperator and transfers consumer into producer. His theory takes an initiative to study readers when readers’ acceptance research was neglected before 20th century.
出处
《北方论丛》
北大核心
2005年第4期39-43,共5页
The Northern Forum
关键词
艺术思想
接受理论
法兰克福学派
artictic thought
acceptance theory
Frankfurt school