摘要
中国意象诗的源头是《诗经》而非《离骚》。《诗经》中许多诗篇意象丰富,“比”“兴”手法的运用,决定了《诗经》中大量意象的产生。尽管从中国意象诗的漫长发展历程看,《诗经》意象还仅仅处于原始发育期,但其中一些诗即便和现代意象诗的代表“朦胧诗”相比,也毫不逊色。正因为《诗经》意象具备了高度象征性、主观性等古典诗歌意象的诸多特征,才使《诗经》具有生动形象的图画美、蕴涵深广的意趣美、回味无穷的含蓄美,散射着经久不衰的艺术魅力,对后世诗歌创作产生了巨大影响。弄清这一点,对疏理中国意象诗的历史流变,深刻认识《诗经》的诗学价值和美学价值,具有重要意义。
The Book of Song is the source of the Chinese imagery poem. The many figurative uses in it that produce a lot of images. They are still in the original stage, but its classic imagery symbolics and subjective characteristics that makes for its artistic charm. It is also the vivid landscape, the meaningful and interesting sense of beauty and the beauty of implication shown in it that has a great influence on the modern poems.
出处
《周口师范学院学报》
CAS
2005年第4期54-55,共2页
Journal of Zhoukou Normal University
关键词
中国
意象诗
源头
China
imagery poem
source