拓进中的回望:美学本体论的发展历程与终极形态——兼论“本体论美学”向“存在论美学”的转型

The Developing Course and Ultimate Formation of Aesthetics Ontology——Also on the Transformation of Aesthetics Ontology to Beinglogy Aesthetics

美学本体论问题的发展态势在美学史上经历了“正—反—合”三个阶段,即经由以“客观论”和“主观论”为主流的两个阶段之后,最终走向符合美学特殊性的“主客二元合一论”阶段。美学本体论之所以走向这样的终极形态,根本原因在于美学的原始根基乃是“感性学”。明辨美学本体论问题的特殊性状与发展走向,对于深入全面地探讨美学史和美学理论中的诸多问题,特别是探讨当前美学理论形态逐渐从“本体论美学”向“存在论美学”转型的问题,都很有必要很有裨益。

The developing course of aesthetics ontology has undergone three stages in the history of aesthetics,which is ultimately moving towards the stage of the unity of object and subject that accords with the specific characteristics of aesthetics after the two stages of subjects and objects as its mainstreams.The reason for this ultimate pattern is because the logical starting point of aesthetics ontology does not rely on the monistic ontology but on the unified relation that conveyed by the duality of subjects and objects.It is of great significance on many problems of aesthetics especially on the current discussion on the transformation of aesthetics ontology to beinglogy aesthetics to recognize clearly the particularity and development of aesthetics ontology.