摘要
海外华文文学虽然继承了中国文学与文化的诗学传统,但从其发源之日起就已表现出全新的诗学萌芽。从世界华文文学的全局来看,这是一个关系到对整个海外华文文学的性质及其审美判断的重大学术问题。本文试从海外华文文学滥觞时期的创作实践入手,对其诗学观作一次尝试性的辨析。
It is true that overseas Chinese literature has inherited the tradition of poetics of Chinese literature and culture, but it has shown the poetic seeds all its own as early as its genesis. The global Chinese literature judged as a whole, this comes as a key academic issue which concerns the nature of the entire o-verseas Chinese literature as well as its aesthetic evaluation. This paper attempts to conduct a tentative analytical differentiation of the poetics concept of overseas Chinese literature from its practices at its rudimentary stage.
出处
《南京师范大学文学院学报》
2005年第2期48-52,共5页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
海外华文文学
滥觞时期
创作实践
诗学理念
overseas Chinese literature
rudimentary stage
creative practice
idea of poetics