摘要
谢朓咏物诗多为同咏之作,反映了当时文人汇聚的特点。而且,谢朓咏物诗结尾多归于美人失落或迟暮之感,与后世宫体诗有相似之处,但又不尽然。咏物诗与山水诗互相促进。谢朓联句诗,典型地反映了当时此类诗体的特点。一是押韵不太讲究,多沿袭柏梁台古体诗,二是合乎永明体平仄运用,三是表现了联句诗讲究对句平仄的一致性。另外,谢朓联句诗语言表现上也有特出之处。
Xie Tiao' s object - chanting poems are largely works composed in groups, reflecting the feature of intellectuals gathering of the day. Besides, these poems often end up smacking of a beauty' s sense of loss or declining, not unlike the Court Style of later dynasties, and yet dissimilarities remain. The object ?chanting poems and landscape poems complement and promote each other. Xie's line-collecting poems typically reflect the characteristics of this genre of the time: Firstly, they do not put too much stress on rhyming but follow the archaic Boliangtai Style; secondly, they conform to the rule of ping and ze in the Yongming Style; and thirdly, they reveal the emphasis on the agreement between couplets and ping-ze lines in line - collecting poems. In addition, Xie's line-collecting poems also show their uniqueness in diction.
出处
《南京师范大学文学院学报》
2005年第2期79-84,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
咏物诗
同咏
联句诗
诗体特点
object-chanting poem
chant in groups
Qu Yuan
line-collecting poem
characteristics of poetry