梁陈边塞诗创作心理浅解

Tentative Psychological Analysis of Frontier Poetry in the Liang and Chen Dynasties

梁陈文人在创作宫体诗的同时创作了别具一格的边塞诗,本文认为其动因不仅是南朝乐府拟作之盛行,更由于梁陈间诗人对新的审美对象和抒情载体的寻找,对新的审美理想之追求,对文学悲怨情感之依归与抒发,也是对两汉大一统局面向往之心理情结。

Poets in the Liang and Chen dynasties have developed Frontier Poetry, a distinctive genre in addition to the Court Style. This paper claims that the composition of frontier poems is not only the result of the prevalence of the parodies of yuefu of the Southern Dynasty, but more of those poets' quest for new aesthetic targets and poetic carriers, their pursuit of new aesthetic ideals, their returning to and expression of the lamentable sentiment of literature, as well as their psychological complex disclosing their yearning for a unification like that of the two Han dynasties.