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武德、贞观赋坛主流赋风沿革论

Evolution of Mainstream Fu Style in the Wude - Zhenguan Era
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摘要 初唐武德、贞观赋坛,以唐太宗为首的十九位宫廷赋家为主流,他们创作的赋在题材、技巧、体式、词采上对南朝宫廷赋有所继承,但在情志、文思、格调上多有创新,主要表现在三方面:一是革除了南朝赋作的绮艳追求;二是显示出了刚直古拙之气;三是有了流畅壮大的情思。 In the Wude-Zhenguan era of early Tang Dynasty, the TangTaizong-led nineteen court fu writers do not merely inherit the court-style fu tradition of the Southern Dynasty in subject matter, technique, genre, and diction; rather, they show their innovations in sentiment and aspiration, literary thread of thought, and style. These are embodied in three aspects: The elimination of the pursuit of glamour in the Southern Dynasty fu works; expression of a resolute, upright, and primitive air; and emission of free ~ flowing and majestic feelings and thoughts.
作者 韩晖
出处 《南京师范大学文学院学报》 2005年第2期117-124,共8页 Journal of School of Chinese Language and Culture Nanjing Normal University
关键词 武德、贞观赋坛 主流赋风 沿革 the fu circle in the Wude-Zhenguan era mainstream fu style evolution
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参考文献1

  • 1[德]马克思,.路易·波拿巴的雾月十八日[M]人民出版社,1962.

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