摘要
中国古代戏曲形神理论是其人物形象塑造理论的重要组成部分,它强调戏曲表演在形似基础上的神似,并对戏曲的传神论作出了较为详尽的理论分析,从而成为中国古代形神理论百花园中的一朵奇葩。
The theory of China ancient opera appearance-spirit is important part of its theory of character. Sculpturing, it emphasized opera playing would rather pursue close resemblance than close appearance, and detailed analyzed close resemblance theory of opera, thereby became a wonder of the theory of China ancient opera appearance-spirit.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2005年第4期57-60,共4页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
中国戏曲
形神理论
传神
入情
立心
China opera, Theory of appearance-spirit, Close resemblance, Immersing, Establishmeaning,
