试论吉祥图案的儒学艺术思维方式

On Confucianist Art Thoughts for Luck Patterns

新吉祥图案以托事于物的“比德”与“比兴”和“意从象出”的象征手法,将生活原生态(物)转化为艺术作品(象),并在表达意的过程中发挥审美中介作用。

By analysing traditional luck patterns represented by the patterns from Ming and Qing Dynasty and their representing style, the article interprets the role of Confucianist art thoughts as a tradition representation in the process of the convert of luck patterns from real raw image （Wu） to art works （Xiang）.