摘要
从接受美学的角度来看,中国的艺术意境是作者自觉地创造的具有“潜势”的文本。这种“潜势”在相当程度上是依靠设置“空白”来实现的。“空白”是艺术意境的魅力所在。意境中的空白实际就是被作者结构进作品中的“暗隐的读者”。这一“暗隐的读者”促进作家采取相应的创作技法,美学追求。从作家为求得“暗隐的读者”最终在现实读者那里获得具体化而采取的一些创作原则来看,主要是求真、求新。
In the perspective of acceptive aesttaetics,Chinese artisic conception the work of author's deliberate creative potential, which is, in a way,realized by the specially designed “va-cancy”. Such a “vacancy” is just where the artistic eonception lies.It is enclosed, as implied readers, in the structure of the works. Implied readers force the author to adopt eorresponding writing techniques in pursuing aesthtics.The author's basic guiding idea is to obtain real readers by seeking the true, the new and pluri - siguation.
出处
《河北大学学报(哲学社会科学版)》
CSSCI
北大核心
2005年第4期40-43,共4页
Journal of Hebei University(Philosophy and Social Science)
关键词
意境
接受美学
暗隐的读者
artistic conception
acceptive aesthetic
implied readers