诗歌中的“场”与“混化”

The "Field" Theory and the Mingled Influence of Poetry

诗的神奇魅力在于“场”效应和“混化”效应,这里所说的“场”,就是对审美主体、审美客体和时空环境三者互动的整体把握。这种“整体把握”,又叫“混化”。三者的相互渗透,能使诗句产生“易染性”,哪怕是熟语套话,甚至枯燥的数字,在整体中,也会受感染而有了诗意,产生魅力。这种“场效应”和“混化效应”,在古文论中谓之“气”,有了“气”,诗就会被激“活”。

In the writers＇ opinion, the artistic charm of poetry is affected by the “field”theory and mingled influence, which in other words, are methods to take all factors of literature into consideration,including aesthetic subject, aesthetic object, space-time continuum and circumstances. These essential factors can be mingled with each other in writing a poem, which can make people understand the poetry＇s artistic charm more easily. In ancient Chinese, the “field” theory and mingled influence had also been called“spirit” or“qi” as an important theory of literature and art, with which a poem can become more lively.