“时代悲剧”与“初思自由”——《强盗》中反映出的个体与国家

“The Tragedy of the Times” and “Freedom of Preliminary Thinking”—The Individual and the State in the Drama The Robber

本文对席勒的名剧《强盗》进行文本解读,注重考察其由于故事情节设置所体现出的作者背后思想,即如何调节与处理国家与个人之间的关系。虽然,青年席勒因反抗封建奴役、追求个人自由而作《强盗》,但他并未因了强调个体而过度夸张了对自由的追求,在这个剧本中已经初现端倪。而这体现出了古典时期德国作家比较普遍的特点,如何在个体自由与国家权力之间寻求一种可能调试的张力,是他们未曾解开而探索不已的命题。

As a textual interpretation of The Robber, a well-known play by F. Shiller, this essay focuses on an examination of the writer＇s hidden ideas based on the design of the story development, namely, how to modify and handle the relationship between the state and the individual. The young Schiller wrote The Robber because of his opposition to feudal enslavement and seeking personal freedom. However, he did not exaggerate too much the pursuit of freedom due to his emphasis on individualism, whose early signs were shown in the script. This demonstrates the features rather popular among the German writers of the classical period. How to seek an expanding force possibly to be modulated between personal freedom and state power was a subject they had not solved and kept exploring endlessly.