摘要
中国戏剧观念在明代中后期发生了重大的转变,即从以曲为主的曲观念向剧观念演化。戏剧观念的这种演变,既是戏剧自身演变的必然结果,也和这一时期文学思潮以及小说理论的繁荣有着密切的联系。
Chinese drama idea underwent a great transition in the middle and late Ming Dynasty, evolving from “ song ” idea relying mainly on song to “drama ” idea, This transition of the drama idea was both the inevitable outcome of drama's development and the result of the influence of literary trends and the prosperity of theory on ficion.
出处
《河南大学学报(社会科学版)》
北大核心
2005年第3期70-74,共5页
Journal of Henan University(Social Sciences)
关键词
明代
戏剧观念
转变
原因
The Ming Dynasty
drama idea
transition
reason