康德主观合目的性意涵的二重性与当代美学建设

The Antinomy in Meaning of Kant's Subjective-Purpose and the Establishment of Contemporary Aesthetics

康德主观合目的性概念蕴含着理性主义与非理性主义的二律背反:一方面,它所揭示的判断力作为必然性与目的性的统一,具有内在性超越性质,它是以非理性的情感显现自身的;另一方面,它所揭示的超验的可能性存在,作为人的终极目的,是自然通过文化向人生成的结果,是理性的产物。扬弃其理性主义,发扬其非理性主义,是当代美学建设的一个必要环节。

Kant＇s Subjective-purpose contained an antinomy of rationalism and un-rationalism, on the onehand, the judgement that was revealed by it manifested itself to the feeling, on the other hand, the possible-being that was displayed by it is a result of reasons. Overcoming its rationalism and enhancing its un-rationalism is a necessary link in the establishment of contemporary aesthetics.