摘要
一代学人、山水画大师黄宾虹,以奇特的阅历,深厚的学养、博大的胸怀,穷毕生精力,师古人之法,觅造化之真,容纳宋元山水的笔墨优长;取“新安画派”的写生美德,将南北山水的雄峻与秀润、骨力与气脉融会贯通,创造出“五笔”、“七墨”法和“黑山水”。且以“熟后求生”的笔墨革命,构建出崭新的山水艺术体系,黄宾虹源于传统而又超前的艺术实践,为中国画的发展开辟了新的新的天地,标志着山水艺术走向了新境界。他的人格学养、艺术奉献和创新精神以广博的艺术胸襟和笔墨气象,为人们的创新拓展了思索空间。
Huang Binhong, a great Chinese landscape painter,had peculiar experience,profound scholarship and broad mind.In his life time,he devoted every effort to assimilating the strong points of landscape paintings in the Song and Yuan dynasties and painting virtue of Xin'an Painting School,thereby creating his own style of “Wu Bi”,“Qi Mo”and “Hei Shanshui”.He built ,a new artistic system of landscape.His paintings not only originated from tradition,but surpassed his predecessors',opening up a new path for the Chinese landscape painting.
出处
《石家庄学院学报》
2005年第5期117-123,共7页
Journal of Shijiazhuang University
关键词
内美
胸襟
笔墨精神
民族意象
internal beauty
mind
spirit of painting
national image