摘要
论文是对我二十多年来的中国现代文学研究的总结。注重对历史的“整体感受”、在研究框架设置中实现微观层面的文学史感受向宏观视野中的文学史话语的转换、“内向”思维方式和“剥离”的研究方法,是我的研究的突出特点,由此又反映出我的研究局限。分析这种局限产生的原因及表现,提出研究应具有参与当代文化建设的明确意识,在研究格局、思维方式和研究方法上进行相应地调整,以使中国现代文学研究在自身性质和特征之上得到深化。
This paper is a summary of my study of modem Chinese literature over the past twenty-odd years. My study has been characterized by an emphasis on "the wholistic impression " of history, the shift from the impression of literary history at the micro-level to the discourse of literary history at the macro-level in the establishment of the research framework and by the "introvert" mode of thinking and the "stripped" method of reasearch, which have also been reflective of my reasearch limits. By analyzing the cauls and occurrences for such limits, the author of this paper opines that a scholar should, in his/her research, have the clear awareness of participating in the constuction of modem culture and make corresponding adjustments in his/her study pattern, mode of thinking and study methods so as to deepen the study of modem Chinese literature in terms of its self nature and features.
基金
汕头大学"十五""211工程"中的"新国学"建设项目