台湾怀乡文学的女性书写——从《城南旧事》、《失去的金铃子》、《梦回青河》谈起

Female Depiction of Nostalgic Literature in Taiwan

20世纪五六十年代的台湾文坛上,台湾女作家笔下的怀乡文学呈现出女性书写的特色。她们多以大量琐碎而真实的故乡日常生活题材表现,淡化了“家国神话”的构建和时代风云的宏大叙述;往往透过女性中心视角下的故乡经验,表现了传统女性在中国底层社会的生存困境与婚姻悲剧;并以强烈的自传色彩,书写出女性在乡土世界里的生命成长。这种游离于当时台湾官方论述、也有别于男性作家创作路线的女性书写,带来了台湾怀乡文学中独特的女性意识、故乡情怀和成长视角。

In the literary arena of the 1950s and 1960s, nostalgic literature created by female writers in Taiwan were filled with female traits. Those female writers tended to weaken the establishment of ＂national myth＂ and the grand narration of great events of the day by focusing on lots of trivial but tree subject matters about homeland＇s daily life. By virtue of hometown experiences in the visual perspective of female center, their novels exhibited the life predicament and marital tragedy of traditional women living in the lower stratum of Chinese society, and their description of female life growth in native land was highly autobiographical. Their female depiction drifted away from the official exposition and was different from the literary creation of men writers in Taiwan, which has brought about the unique female awareness, hometwon feelings and the visual angle of growth in the nostalgic literature in Taiwan.