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“苏子归黄泉,笔法遂中绝”——论欧阳修的推介对苏舜钦在北宋书坛地位确立的意义

"When Su Shunqin Is Dead, So Is Penmanship"—— On Significance of Ouyang Xiu's Praise in EstablishigSu Shunqin's Status in Penmanship in the Northern Song Dynasty
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摘要 欧阳修对苏舜钦的书法艺术评价极高,对苏的书学思想也非常推崇。他经常与苏舜钦就笔法以及其他相关问题展开讨论,涉及的范围很广,由于苏舜钦没有留下系统的书论著作,所以他论书的只言片语大都借以欧阳修的著作保留下来,他们以诗文唱和,以翰墨传情,共同营造了北宋良好的书坛氛围。因此,苏舜钦在北宋书坛地位的确立与欧阳修的褒奖和推介是分不开的。 Ouyang Xiu gave a higher evaluation of Su Shunqin' s penmanship, and respected Su's views on penmanship. He often discussed penmanship and other related issues with Su, covering a large range of topics. Because Su did not leave his own systematic writings on penmanship, his few opinions can only be found in Ouyang' s works. They communicated through poetry and letters, jointly creating a fair atmosphere for penmanship in the Northern Song Dynasty. Su became an important member of the of penmanship at the time mostly thanks to Ouyang' s high praise and recommendation.
作者 杨军
出处 《湛江师范学院学报》 2005年第4期70-72,共3页 Journal of Zhanjiang Normal College
关键词 欧阳修 苏舜钦 北宋书坛 Ouyang Xiu Su Shunqin penmanship Northern Song Dynasty
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参考文献2

  • 1[(北宋)欧阳修著],李逸安.欧阳修全集[M]中华书局,2001.
  • 2崔尔平选编/.历代书法论文选续编[M]上海书画出版社,1993.

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