摘要
《吕西斯特剌忒》曾一度被称为第一部反战的女性戏剧。性罢工赢来和平,吕西斯特剌忒及其姐妹们被誉为和平的斗士,自我超越的典范。从女性主义的批评视角,再度审视剧中女性角色的群像和个像,发现和平斗士的光环下其实是一幅真正的女性他者形象,看似自我超越的性罢工却意味着女性更深地陷于内在性。
Lysistrata, acclaimed as the first anti - war women' s play, tells the story of Greek women. Withholding sex from men until peace is declared, Lysistrata and her Greek sisters are praised as peace-fighters and a classic example of transcendence. From the feminist perspective, the article rereads woman characters for their common characteristics and the individuality of each character, only to find incarnate in the peace-fighter a real image of the Other, and that the seemingly transcendental sexual strike merely suggests women' s deeper trap into immanence.
出处
《宁波大学学报(人文科学版)》
2005年第4期7-12,32,共7页
Journal of Ningbo University:Liberal Arts Edition