论中西文化艺术的冲突与融合

Cultural Conflict and Convergence in Arts of China and Western Society

绘画界笔墨之争的焦点问题实质是文化艺术的冲突与融合;性是人类生殖的起源,也是一切文化的起源,从观念层次探讨性文化,直面文化的冲突与融合问题,并进而提出灰文化——东西方两极文化交融的共生文化体之概念,目的是说明消除文化艺术的差异是不可能的,东西文化或艺术是相互影响的,是动态发展的,外来文化和艺术有可能丰富和发展本土文化和艺术。

It is the cuhural conflict and convergence that constitute the essential argument in the circle of painting. Sex is the source of human generation, the basis of all cultures. Sex culture is investigated from the perspective of ideology with focus on the cultural conflict and convergence, proposing the concept of gray culture, a hybrid which is produced by the Chinese and western culture after their convergence. With this consideration it is not possible to eliminate the cultural difference in art, for Chinese and western culture are developing dynamically and interactively, thus contributing to the development of Chinese culture.