况周颐《蕙风词话》词学创作论

On Ci Creative Theorys of Kuang Zhou-yi's Hui Feng Ci Hua

况周颐《蕙风词话》是清末民初著名的词学理论和批评著作。况周颐在《词话》中辨正了词的"诗余"说,认为词具有相对独立性,与诗没有依附关系,用"诗余"称呼词,则歪曲了词的本质。同时,他阐释了王鹏运提出的作为词的艺术特征和创作原则的"重、拙、大"三要,指出应力避刻意为曲折和词意忌重复等作词之忌以及提出了作词要语意不晦涩、不可作寒酸语、造句要自然、真为词骨等创作方法与见解。

Kuang Zhou-yi's Hui Feng Ci Hua was the famous work of theory and criticism about Ci in the late Qing Dynasty and early Republican periods.Kuang Zhou-yi set forth the viewpoint that ci is equal to Shi yu,thinked that ci is relatively independent and hadn't a subsidiary relation with poetry,so shi yu as a word distorted the essence of ci.Meanwhile,he explained 'three must',namely 'heavy','clumsy' and 'big',which was.put forward by Wang Peng-yun,with respect to artistic features and creation principles,indicated the contraindication with ci creation,for instance,words should struggle to avoid painstakingly tortuous and the meaning of words was non-repeated and put forward some concrete methods and views about how to write poetic words,such as the meaning of words wasn't obscure,the writing of destitute and painful words was inhibitory,sentence-making should be natural and truthfulness was the bone of ci and so on.