中国美学中的规避人工秩序的问题

On Evasion of Artificial Trace in China's Aesthetics

在道禅哲学影响下,中国美学出现了在师法造化原则下规避人工秩序的重要理论,这是决定中国美学特色、并对艺术和中国人的审美生活发生深刻影响的思想。本文尝试剖析这一理论的形成和大致内涵,对其中的规避人工机巧、超越美丑分别和摆脱情感束缚等思想进行了分析,认为崇尚天趣、排斥人工的理论要义,在对真实意义世界的追求,其落脚点在人的生命的安顿。这一思想虽然有其偏颇之处,却具有很高的理论价值。

Influenced by philosophical thoughts of Daoism and Zen Buddhism,an important theory of hedging the artificial trace by modeling nature is created in the field of China's aesthetics,which has deeply influenced the formation of aesthetic characteristics in China as well as Chinese people's appreciation of beauty and art.By analyzing the formation and connotation of this theory,this paper investigates into the techniques of evading the artificial trace and thoughts including transcending beauty and ugliness as well as releasing from emotional bondage.It argues that the essential point of advocating natural beauty and rejecting artificial marks lies in the pursuit of a world with true meaning and takes the settlement of human life as the final goal.Though the idea is biased,it has an important theoretical value.