摘要
由二百一十卷组成的《元史》,是一部重要的史书。本文从《元史》中与宫廷音乐有关的五个课题,即乐服、乐舞、乐器、乐律及杂剧进行探讨,并希望通过这些课题的研究,带出下列值得深思的问题:宫廷音乐给亚洲音乐遗留下了什么?为什么宫廷音乐会消失?为何今天的亚洲音乐要借用西洋的音名而不是宫廷音乐运用的十二律名?以此引起亚洲音乐圈内的艺术家们对宫廷音乐的尊重和文化的关注。
History of Yuan Dynasty, composed of 210 volumes, is an important book of history. By discussing on five issues about the book including costume, dance, instruments, temperament and zaju (poetic drama set to music) that are all connected with royal court music, this paper intends to shed some light on questions worthy of careful pondering: what has royal court music left behind? Why did royal court music disappear? Why does Asian music borrow pitch names from the West today instead of using the twelve temperaments from royal court music? While searching for answers to these questions, the study tries to arouse Asian artists' respect for and attention to royal court music and its culture.
出处
《文化艺术研究》
2010年第1期63-69,共7页
Studies in Culture and Art
