摘要
张大千晚年艺术变法创造的泼墨泼彩绘画,是他一生艺术的高峰。泼墨泼彩艺术虽然是受到抽象表现主义艺术的启发而产生,但其实是一种具有中国古典美学特质和民族文化精神的新型艺术样式。本文以传统中国画"水墨"观、"动化"机制分析张大千泼墨泼彩的创作过程,再用"意象"、"现量"学说分析其画面效果,透析张大千泼墨泼彩绘画的古典美学特质,并指出张大千泼墨泼彩艺术实践对当下中国画发展的借鉴意义。
Ink and color splashing in paintings is created by Zhang Daqian in his late years and it is the climax of his art life. Though inspired by the expressionism, ink and color splashing is in fact a new art technique with Chinese attributes of classical aesthetics and national cultural spirit. By analyzing the creation of the technique in terms of the motion mechanism and traditional Chinese conception of ink paintings, this paper investigates its visual effect by adopting image and observation theories and proposes its significance for the contemporary development of paintings in China.
出处
《文化艺术研究》
2010年第1期200-205,共6页
Studies in Culture and Art