清代康乾时期书风转变的地域特点和学术史意义

Change of Calligraphic Styles during Kang-Qian Period of Qing Dynasty: Geographical Characteristics and Academic Significance

清代康乾时期书法界出现了董书衰微、隶书中兴的风气,时人书法大多取自汉隶古意而摒弃董其昌的清雅流利,其中浙江籍的书法家贡献尤巨,而且这种趋势对清代后期书法的"帖学"到"碑学"的理论转向也有深刻影响。追溯这种书风转变的原因,与浙东学派崇尚史学、在历史研究中注重发掘金石碑版资料的趋向有着密切的联系,因此这种书法现象实质是当时清代学术发展在艺术领域的鲜明体现,隶书中兴又对此后金石碑版之学研究的深入产生深刻影响,艺术创新与学术研究的互动关系由此可见一斑。

The Kangxi and Qianlong Period of Qing Dynasty has witnessed a decline of Dong Qichang's style of calligraphy and revival of clerical script. People of the time, especially calligraphers from Zhejiang, tend to learn from the classical beauty of clerical script while abandoning the elegant and smooth writing of Dong Qichang, which has exerted a deep influence on the theoretical turn of calligraphy from model to inscription in the late Qing Dynasty. Closely related to Eastern Zhejiang School' s worship of historiography and emphasis on inscription discovery on tablets and stones, the very change of calligraphic styles is in fact a vivid reflection of academic research in art, while the resurgence of clerical script affects the further development of inscription studies in a profound way. Therefore, the interaction between artistic creativity and academic research can be seen.