论中国诗学的“圆美”崇尚及其文本书写机制

The Adoration of "the Beauty of Roundness" in Chinese Poetics and the Corresponding Writing Style

关注中国诗学对圆美的崇尚,针对偏重文化勾陈、哲学溯源的研究现状,采取深入到诗文本内里的研究路径与方法:析解文本各层次圆的不同意谓,思考"诗何以圆"。本文提出:诗圆的最高境界是包蕴在以圆形物喻诗论说中的圆转无穷之圆,诗文本咏物、叙事、书写人生情境呈现出的"是又不是、不是又是"的特殊态势形成了体验上的回环往复,从而使得诗文本圆转无穷。造就"是又不是,不是又是"特殊态势的书写机制,在"咏物"中最为复杂。咏物徘徊于"是"与"不是"之间缘于对物自性的悬置,其手法主要有文化侵入和幻化。而之所以产生悬置物自性这种书写机制,是因为中国文化中以道为本源的宇宙观对物之存在有特殊的阐说。

This paper studies the adoration of the beauty of roundness in Chinese poetics.Considering the current researches highlighting cultural and philosophical origins,this study,via textual research,analyzes the meanings of roundness at different levels and explores the issue that "why poetry can be round".As proposed in this paper,the highest level of poetic roundness is embedded in infinite roundness which is advocated in the idea that poetry is metaphorically described as a round object.The chanting,narration...