摘要
充满强烈戏剧矛盾的交响幻想曲《里米尼的弗朗契斯卡》是柴可夫斯基创作史上的一部里程碑式杰作。本文通过分析柴可夫斯基在19世纪七、八十年代历史节点的情感及思想境况,诠释《里米尼的弗朗契斯卡》强烈的戏剧矛盾冲突和深刻浓郁的抒情特质渊源,解析作品主观性抒情突破交响诗曲式模式和客观性故事文本的双层束缚,以及在配器法则、半音化级进诸多方面的艺术特色。从而窥探柴可夫斯基艺术特征的成熟与嬗变。
Francesca da Rimini,which is full of strong dramatic contradictions,is a milestone in the history of Tchaikovsky's works.Through analyzing the situation of emotion and thought of Tchaikovsky in the seventies and eighties of 19th century,This article interpretates strong dramatic conflicts and the original lyrical qualities of Francesca da Rimini,and it also analyzes work's lyrical subjectivity which breaks through the musical patterns of the symphonic poem form and the objectivity story text,and shows orchestration rules,chromatic progressive in many artistic aspects.This article tries to insight the maturity and evolution of Tchaikovsky's artistic features.
出处
《吉林艺术学院学报》
2011年第6期12-19,共8页
Journal of Jilin University of Arts