摘要
在宗教文化的背景下,西方古代的服饰有着超越肉体需要的神学指向;在宗法文化的背景下,中国古代的服饰有着超越感性需要的伦理追求。在理性精神的支配下,西方与中国的现代服饰渐渐抛弃了这种形而上的负累,转向了科学主义、功能主义的探索。而在多元文化的影响下,西方与中国的后现代服饰又开始了新的反叛,即摆脱了科学主义和功能主义所确立的规范和模式,进行着全新的个性化的审美尝试。
In the context of religious culture of the West, clothes in the ancient time had their theological orientation transcending the bodily need. In the patriarchal society of ancient China, clothes had their ethical pursuit transcending sensibility. Controlled by the spirit of reason, clothes in both China and the West have gradually abandoned this metaphysical load, and turned to the scientific and functionalist exploration. Under the influence of multiculturalism, the post-modern clothes in both China and the West have in turn abandoned the scientific and functionalist modes and norms and started their brand new experimentation on individualistic taste.
出处
《文艺研究》
CSSCI
北大核心
2005年第8期120-129,共10页
Literature & Art Studies
基金
教育部重大科研项目"当代中国文化产业与审美文化发展现状与对策研究"中期成果。
