摘要
“英雌”话语是中国近代女权话语的重要组成部分,这一话语既有社会历史背景及现实国家命运作依托,又是国家民族宏大叙事的子话题,同时还获得了女性主体的认可实践和一定的性别意义的补充与丰富,而在虚拟的文学世界中,“英雌”话语也呈现出多种想象模式。考察这一话语型态的形成过程、实践态势和文学想象的描绘,我们可以看到中国的女权运动与西方的女权运动处于不同的历史过程和历史结果中,进而对20世纪初中国的女权运动作出切合历史语境的把握。
The Female-hero discourse is the important part of the utterance of feminist critique. It is the minor aspects of the great nation narrative, with the varied background of the society, history and the fate of the nations. It also got the approval of the women's practice and the supplement and conversion of the gender meaning. In the narrative of literature, the Female-hero discourse aslo has many kinds of imagination modes. Through the inspection of the shaping, the state of the practice and the narrative of the literature works of Female-hero utterance, the paper argues that the Chinese feminist movement in the early 20^th century, is quite different from the west, either on the process of the history, or the effect of the history.
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2005年第4期105-110,共6页
Journal of Central China Normal University:Humanities and Social Sciences
关键词
“英雌”话语
男性主导
女性实践
文学想象
Female-hero discourse
male-domination
female practice
the literature imagination