摘要
自来研究意象的学者,大都只注意到“个别意象”,而忽略了“整体意象”;即使有的注意及此,也仅提出“意象群”或“总意象”、“分意象”的说法,而无法梳理出“意象系统”来。文章有鉴于此,即以“个别意象”与“整体意象”为基础,试图借着由“层次逻辑”而形成之“章法结构”,将自“个别意象”逐层提升至“整体意象”的“意象系统”作一呈现,使深埋于意象与意象间的内在逻辑或“纽带”,得以开挖、显露出来,进而用“多”、“二”、“一(0)”的螺旋结构作考察,以见“章法结构”与“意象系统”不可分之关系。
Researchers studying images often focus on “individual image” rather than “global image”. Some of them who recognized the latter had only mentioned “image groups”, “total images” or “sub-image”. No one had ever organized a structured “image system”. This article introduces the image system from the individual to the global by means of logistic levels that construct the structure of the organization of writing. Further, It explores the cord that ties the inner logic of image. Based on the “multiple”, “binary”, and “unitary (zero)” spiral structures, it examines the close relation between the structure of the organization of writing and the image system.
出处
《江南大学学报(人文社会科学版)》
2005年第4期70-77,共8页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
章法结构
意象系统
辞章
纵横向迭合
“多”
“二”
“一(0)”螺旋结构
the structure of the organization of writing
the image system
the art of writing
horizontal and vertical alternative combination
“multiple”, “binary” and “unifary (zero)” spiral structure