摘要
西方现代艺术,尤其是第二次世界大战之后的艺术主要是沿着杜桑的思想轨迹发展的。杜桑的代表画作《泉》反映了一种艺术观点,反映出一种把作品的形式与它所要表现的内容完全脱离开的艺术概念。无论是对杜桑的研究,还是从对他的行为进行的文化阐释,都是建立在更为广泛的传统和独一无二的创作基础上的,从而拓展了艺术的内涵和外延。杜桑《泉》在艺术发展史上有其独特的价值。
Western modem art, especially post-war art (World War Ⅱ) goes mainly with Dusang's thought. His works 'Quan' definitely reflects one kind of artistic idea that is the form and the content should be separated completely. No matter the research on Dusang ,or the cultural illustration of his behaviors, they are based on larger tradition and unique foundation to broaden the connotation and the extension. It has a special value in the history of art.
关键词
杜桑
泉
反艺术
‘Quan'
idea
role of art
anti-art