摘要
毛泽东的文艺观是对马克思、列宁文艺思想的继承和发展。毛泽东认为文艺具有鲜明的功利性和阶级性,并为一定的政治和阶级服务;文艺与革命的关系,就是文艺与人民大众的关系。毛泽东是一位政治家诗人,他在诗词创作中深刻地反映了他的文艺观,并以此实践了其文艺为革命斗争服务的主张。无产阶级取得政权后,人民物质生活日益丰富,精神上的需要就多样化了,艺术上的需求也随之多样化,势必出现纯粹娱乐性的文艺作品,这些作品很难以政治标准来评价其高下优劣。因此,毛泽东的文艺观应该是一个开放的、不断发展的思想体系。
Mao Zedong not only bases on but also develops Marx's and Lenin's thought of literature and art. Mao Zedong holds the view that literature and art has utility and class nature, which is given service to certain politics and class. The relations between literature and art and revolution are like the ones between literature and art and the masses. Mao Zedong is a political poet. His poems deeply reflect and help him realize this point of view. After the proletariat built the regime, the life is better and better, spiritual need is more diverse. Literature and art creation for pure amusement appears, which is difficult to evaluate with political standard. So Mao Zedong's view on literature and art is an open and developing system.
出处
《湖南科技大学学报(社会科学版)》
2005年第5期30-34,共5页
Journal of Hunan University of Science and Technology(Social Science Edition)
基金
湖南省社科基金资助项目(0407019)
关键词
毛泽东
文艺观
诗词
Mao Zedong
view on literature and art
poem creation