摘要
三仙姑、曹七巧、司猗纹虽从人性异化角度同属“恶母”形象,但在分属两性的作家不同视角观照下,三个“恶母”表象酷似,所蕴含的历史的、文化的、人性的意义却有其质的不同,传达出作者不同的艺术观念和性别意识。
San Xian-gu, Cao Qi-qiao and Si Yi-wen are of the same kind of evil mother from the angle of humanity alienation. But viewed from different sexual perspectives by the authours belonging to two sexes , the three evil mothers are very much alike in appearance , yet they carry different qualitative significance in history , culture and humanity layers and communicate the authours＇ different aesthetic ideas and sexual consciousness.
出处
《湖南人文科技学院学报》
2005年第4期69-70,86,共3页
Journal of Hunan University of Humanities,Science and Technology
关键词
恶母形象
历史文化内涵
性别意识
evil mother
historical and cultural significance
sexual consciousness
