期刊文献+

韩愈诗歌“奇”“丑”用语的美学意义

The Aesthetic Significance of the "Oddness" and "Ugliness" of the Dictionin HAN Yu's poesy
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摘要 韩愈以其奇险的诗风成为唐代诗坛第二次新变的代表之一。“奇”语和“丑”语的大量运用,一方面形成了韩诗奇崛瑰怪的诗风,为中国古典诗歌开辟了新路;另一方面,过于追求奇险,流于文字游戏,又降低了中国古典诗歌美的特质。 Due to the ingeniousness of his poesy style, HAN Yu has been widely considered as one of the most important representatives of the poets in the Tang Dynasty in the second fundamental change of poetry. HAN Yu's unique poetic style was formed through his unlimited use of “odd” and “ugly” expressions which resulted in a pioneering and novel phase of Chinese classic poetry. The article emphatically analyzes HAN Yu's poesy from the perspective of language.
作者 汪红艳
出处 《安徽教育学院学报》 2005年第4期63-66,共4页 Journal of Anhui Institute of Education
基金 安徽师范大学青年基金项目(2004×qn20)
关键词 韩愈 “奇”语 “丑”语 美学意义 HAN Yu oddness ugliness, aesthetic significance
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参考文献2

  • 1钱仲联.韩昌黎诗系年集释[M].上海:上海古籍出版社,1984..
  • 2孙昌武.韩愈选集[M].上海:上海古籍出版社,1996..

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