摘要
以东山魁夷的作品为立足点,从理论的角度分析、着手,从对称美是日本画家东山魁夷之画面构成的主要表现手段为基础论据,论证了对称是东山魁夷绘画生涯中重要的美学语言之理论的成立。并点到为止地揭示了对称也是东山魁夷绘画成功的一个“秘密”。
Based on a theoretical analysis of the works of Kaii Higashiyama, a Japanese painter, this paper suggests that symmetry, as a winning characteristic, is the main skill of expression in the framing and formation of his drawings, which lends itself to the viewpoint that symmetry is the esthetic language in the artistic career of Kaii Higashiyama.
出处
《浙江师范大学学报(社会科学版)》
2005年第4期25-29,共5页
Journal of Zhejiang Normal University(Social Sciences)
关键词
对称
美学语言
镜式对称
抽象对称
心象对称
Symmetry
Esthetic language
Mirroring symmetry
Abstract symmetry
Mental symmetry