摘要
《女神》中的作品在内容上往往包含着一个“毁灭—创造”的结构,以此回应了时代的创新要求。《女神》诗意创新的内在动力在于它拆解了一些陈旧的修辞规范,在语言工具的解放和现代经验的传达之间建立起了新的平衡。这种创新还带来了《女神》与古典诗歌在诗意生成方式上的差别。
The poems in Odes To Goddess always attach the theme of “Death-Rebirth” to response the composing requirement of the time. The present paper, after having a deep thinking of the inner stimulus of poetic image in Odes To Goddess, has made an interpretation upon its extension of modern experience and its transference of generative means of poetic image.
出处
《钦州师范高等专科学校学报》
2005年第3期12-15,共4页
Journal of Qinzhou Teachers College
关键词
《女神》
现代经验
创造
Odes To Goddess
modem experience
creativity