摘要
本文主要讨论船山诗论与乐论的关联。船山诗学理论注重音乐性的重要原因,是以为“音”比“言”具有更高的表现能力和表现范围。王夫之认为,乐教的功能须由诗来担当,故诗就只以“言”为载体,而以“永”、“声”、“律”为审美追求。其诗论中“简”、“敛纵”、“柔缓”的追求,与其乐论有明显的共通性。
This paper discusses the relationship music. According to Wang Fuzhi, sound is more between Wang Fuzhi's poetics and his theories about expressive than words. Therefore he attached much importance to music in his poetics. The aesthetics effect Simplicity, restrainability and relaxation, the principle of music theory. of poems is rooted in music, not in language. Wang Fu-zhi's poetics, could be interpreted by
出处
《中南民族大学学报(人文社会科学版)》
CSSCI
北大核心
2005年第5期143-146,共4页
Journal of South-Central Minzu University (Humanities and Social Sciences)
关键词
王夫之
乐论
诗论
关系
Wang Fu-zhi~ theory about music~ poetics